Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
The unbearable heaviness of mobility.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
A paper on affective labour in contemporary art practice and global presentation.
Performances of cargo and the material unconscious of global economy.
An artists’ roundtable exploring the role of travel in the practice of making performance.
Interrogates the labour and mobility of an invisible female body through a durational performance.
A performance paper on motion and stillness, time and travel – on a train.
The significance of staging Shakespeare in the Pacific
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
A presentation discussing the non-translatable in relation to choreographic practice.
A reflection on the experiences of performance scholars working internationally.
A panel discussion about art, disability, and the role of aesthetic experimentation.
An experimental dance project exploring ‘trans-nationalism’
The performative power of image-making and image-viewing
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
Means of shaping experiences of transit and making passage.
Rehearsing Catastrophe: on play and possibility.
A performance score/workshop about moving along paths different to our habitual ones.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
A paper discussing performances that highlight socially produced immobilities.
Questioning where we walk and whose footsteps we follow...
Performance design within a globalised condition of proliferating borders.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
An exploration of 'unsteady' cultural belonging.
The intersections of performance, disaster, and resilience.
The rise of interplanetary performance.
Theatre in the age of smartphones.
A wander up Edgars Creek in Coburg North with Karina Quinn.