A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
The unbearable heaviness of mobility.
Mobile public gestures escape categorisation and challenge ideas.
An experimental dance project exploring ‘trans-nationalism’
Performance for an audience of 10 forging a path between identities, places and states of awareness
Context and reflections on bit-u-men-at-work.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
A summary of a recent research project exploring disability, sustainability and resilience.
A Performative Lecture on Migrant Mobilities.
A paper discussing performances that highlight socially produced immobilities.
An artists’ roundtable exploring the role of travel in the practice of making performance.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
A panel discussion about art, disability, and the role of aesthetic experimentation.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
An exploration of 'unsteady' cultural belonging.
The intersections of performance, disaster, and resilience.
A silent, creative practice research situation
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
A presentation discussing the non-translatable in relation to choreographic practice.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
A performance score/workshop about moving along paths different to our habitual ones.
A wander up Edgars Creek in Coburg North with Karina Quinn.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
A reflection on the experiences of performance scholars working internationally.
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
an alternative register, a record of language, an account of names.
Theatre in the age of smartphones.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
Rehearsing Catastrophe: on play and possibility.
The elision between place and a person.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
The performative power of image-making and image-viewing
Interrogates the labour and mobility of an invisible female body through a durational performance.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
Performance installation for two people to explore balance through a movement to sound jam.
The notion of legibility is explored in relation to the city and its publics.
Questioning where we walk and whose footsteps we follow...
Performance design within a globalised condition of proliferating borders.
Screening of Performance Art in the Natural Environment
A paper on affective labour in contemporary art practice and global presentation.
The rise of interplanetary performance.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
The significance of staging Shakespeare in the Pacific
Performances of cargo and the material unconscious of global economy.
Means of shaping experiences of transit and making passage.
A landscape protagonist, a (mostly) self-guided tour, a collection.
A slow observational walk down Swanston Street, visually translating public sculptures.
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
A performance paper on motion and stillness, time and travel – on a train.