A Performative Lecture on Migrant Mobilities.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
Performance installation for two people to explore balance through a movement to sound jam.
The elision between place and a person.
A paper discussing performances that highlight socially produced immobilities.
A slow observational walk down Swanston Street, visually translating public sculptures.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
Means of shaping experiences of transit and making passage.
Context and reflections on bit-u-men-at-work.
Theatre in the age of smartphones.
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
Rehearsing Catastrophe: on play and possibility.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
An artists’ roundtable exploring the role of travel in the practice of making performance.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
Mobile public gestures escape categorisation and challenge ideas.
An experimental dance project exploring ‘trans-nationalism’
The significance of staging Shakespeare in the Pacific
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
Performance design within a globalised condition of proliferating borders.
A summary of a recent research project exploring disability, sustainability and resilience.
Performance for an audience of 10 forging a path between identities, places and states of awareness
Screening of Performance Art in the Natural Environment
Questioning where we walk and whose footsteps we follow...
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
an alternative register, a record of language, an account of names.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
The performative power of image-making and image-viewing
A reflection on the experiences of performance scholars working internationally.
A panel discussion about art, disability, and the role of aesthetic experimentation.
A wander up Edgars Creek in Coburg North with Karina Quinn.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
A performance score/workshop about moving along paths different to our habitual ones.
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
An exploration of 'unsteady' cultural belonging.
The intersections of performance, disaster, and resilience.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
Performances of cargo and the material unconscious of global economy.
A paper on affective labour in contemporary art practice and global presentation.
Interrogates the labour and mobility of an invisible female body through a durational performance.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
The notion of legibility is explored in relation to the city and its publics.
A silent, creative practice research situation
A presentation discussing the non-translatable in relation to choreographic practice.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
The rise of interplanetary performance.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
The unbearable heaviness of mobility.
A performance paper on motion and stillness, time and travel – on a train.
A landscape protagonist, a (mostly) self-guided tour, a collection.