Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
The significance of staging Shakespeare in the Pacific
Means of shaping experiences of transit and making passage.
Performance installation for two people to explore balance through a movement to sound jam.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
A performance score/workshop about moving along paths different to our habitual ones.
A landscape protagonist, a (mostly) self-guided tour, a collection.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
Theatre in the age of smartphones.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
The unbearable heaviness of mobility.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
A paper discussing performances that highlight socially produced immobilities.
An experimental dance project exploring ‘trans-nationalism’
Gardening with Intermediate Bulk Containers and geo-locative, online networks
The elision between place and a person.
Performance design within a globalised condition of proliferating borders.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
A performance paper on motion and stillness, time and travel – on a train.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
A summary of a recent research project exploring disability, sustainability and resilience.
An artists’ roundtable exploring the role of travel in the practice of making performance.
An exploration of 'unsteady' cultural belonging.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
A silent, creative practice research situation
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
Performance for an audience of 10 forging a path between identities, places and states of awareness
A panel discussion about art, disability, and the role of aesthetic experimentation.
A wander up Edgars Creek in Coburg North with Karina Quinn.
Rehearsing Catastrophe: on play and possibility.
The rise of interplanetary performance.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
The notion of legibility is explored in relation to the city and its publics.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
Screening of Performance Art in the Natural Environment
Context and reflections on bit-u-men-at-work.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
Interrogates the labour and mobility of an invisible female body through a durational performance.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
The intersections of performance, disaster, and resilience.
A presentation discussing the non-translatable in relation to choreographic practice.
Performances of cargo and the material unconscious of global economy.
A Performative Lecture on Migrant Mobilities.
Mobile public gestures escape categorisation and challenge ideas.
Questioning where we walk and whose footsteps we follow...
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
The performative power of image-making and image-viewing
A paper on affective labour in contemporary art practice and global presentation.
an alternative register, a record of language, an account of names.
A slow observational walk down Swanston Street, visually translating public sculptures.
A reflection on the experiences of performance scholars working internationally.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.