A responsive, time-based, narrative experience that moves across media, bodies and technologies.
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
A paper discussing performances that highlight socially produced immobilities.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
A wander up Edgars Creek in Coburg North with Karina Quinn.
A performance score/workshop about moving along paths different to our habitual ones.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
The rise of interplanetary performance.
A panel discussion about art, disability, and the role of aesthetic experimentation.
Performance design within a globalised condition of proliferating borders.
Performance for an audience of 10 forging a path between identities, places and states of awareness
A presentation discussing the non-translatable in relation to choreographic practice.
Performances of cargo and the material unconscious of global economy.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
A landscape protagonist, a (mostly) self-guided tour, a collection.
Performance installation for two people to explore balance through a movement to sound jam.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
Questioning where we walk and whose footsteps we follow...
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
Theatre in the age of smartphones.
The significance of staging Shakespeare in the Pacific
A reflection on the experiences of performance scholars working internationally.
An exploration of 'unsteady' cultural belonging.
The performative power of image-making and image-viewing
Means of shaping experiences of transit and making passage.
Interrogates the labour and mobility of an invisible female body through a durational performance.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
Context and reflections on bit-u-men-at-work.
A silent, creative practice research situation
A slow observational walk down Swanston Street, visually translating public sculptures.
The elision between place and a person.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
A paper on affective labour in contemporary art practice and global presentation.
The notion of legibility is explored in relation to the city and its publics.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
An artists’ roundtable exploring the role of travel in the practice of making performance.
The intersections of performance, disaster, and resilience.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
an alternative register, a record of language, an account of names.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
A performance paper on motion and stillness, time and travel – on a train.
A Performative Lecture on Migrant Mobilities.
The unbearable heaviness of mobility.
A summary of a recent research project exploring disability, sustainability and resilience.
Rehearsing Catastrophe: on play and possibility.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
An experimental dance project exploring ‘trans-nationalism’
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
Mobile public gestures escape categorisation and challenge ideas.
Screening of Performance Art in the Natural Environment
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.