Rehearsing Catastrophe: on play and possibility.
A Performative Lecture on Migrant Mobilities.
Means of shaping experiences of transit and making passage.
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
A presentation discussing the non-translatable in relation to choreographic practice.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
The unbearable heaviness of mobility.
Performance for an audience of 10 forging a path between identities, places and states of awareness
Interrogates the labour and mobility of an invisible female body through a durational performance.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
Mobile public gestures escape categorisation and challenge ideas.
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
A panel discussion about art, disability, and the role of aesthetic experimentation.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
A landscape protagonist, a (mostly) self-guided tour, a collection.
Performances of cargo and the material unconscious of global economy.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
The significance of staging Shakespeare in the Pacific
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
Questioning where we walk and whose footsteps we follow...
A silent, creative practice research situation
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
A summary of a recent research project exploring disability, sustainability and resilience.
A wander up Edgars Creek in Coburg North with Karina Quinn.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
The elision between place and a person.
The rise of interplanetary performance.
Performance design within a globalised condition of proliferating borders.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
An exploration of 'unsteady' cultural belonging.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
A paper on affective labour in contemporary art practice and global presentation.
The intersections of performance, disaster, and resilience.
An artists’ roundtable exploring the role of travel in the practice of making performance.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
The notion of legibility is explored in relation to the city and its publics.
Performance installation for two people to explore balance through a movement to sound jam.
Screening of Performance Art in the Natural Environment
A slow observational walk down Swanston Street, visually translating public sculptures.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
A reflection on the experiences of performance scholars working internationally.
A performance paper on motion and stillness, time and travel – on a train.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
The performative power of image-making and image-viewing
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
A paper discussing performances that highlight socially produced immobilities.
Theatre in the age of smartphones.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
an alternative register, a record of language, an account of names.
An experimental dance project exploring ‘trans-nationalism’
A performance score/workshop about moving along paths different to our habitual ones.
Context and reflections on bit-u-men-at-work.