Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
The performative power of image-making and image-viewing
A Performative Lecture on Migrant Mobilities.
A slow observational walk down Swanston Street, visually translating public sculptures.
The notion of legibility is explored in relation to the city and its publics.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
A performance paper on motion and stillness, time and travel – on a train.
A paper on affective labour in contemporary art practice and global presentation.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
The elision between place and a person.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
The intersections of performance, disaster, and resilience.
A presentation discussing the non-translatable in relation to choreographic practice.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
The unbearable heaviness of mobility.
Performance installation for two people to explore balance through a movement to sound jam.
Rehearsing Catastrophe: on play and possibility.
An experimental dance project exploring ‘trans-nationalism’
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
A summary of a recent research project exploring disability, sustainability and resilience.
The significance of staging Shakespeare in the Pacific
A silent, creative practice research situation
A landscape protagonist, a (mostly) self-guided tour, a collection.
The rise of interplanetary performance.
A paper discussing performances that highlight socially produced immobilities.
Performance design within a globalised condition of proliferating borders.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
an alternative register, a record of language, an account of names.
Context and reflections on bit-u-men-at-work.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
Performances of cargo and the material unconscious of global economy.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
An exploration of 'unsteady' cultural belonging.
Questioning where we walk and whose footsteps we follow...
Mobile public gestures escape categorisation and challenge ideas.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
A wander up Edgars Creek in Coburg North with Karina Quinn.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
Means of shaping experiences of transit and making passage.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
A performance score/workshop about moving along paths different to our habitual ones.
A reflection on the experiences of performance scholars working internationally.
A panel discussion about art, disability, and the role of aesthetic experimentation.
Screening of Performance Art in the Natural Environment
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
Theatre in the age of smartphones.
An artists’ roundtable exploring the role of travel in the practice of making performance.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
Performance for an audience of 10 forging a path between identities, places and states of awareness
Interrogates the labour and mobility of an invisible female body through a durational performance.