Questioning where we walk and whose footsteps we follow...
An artists’ roundtable exploring the role of travel in the practice of making performance.
A paper discussing performances that highlight socially produced immobilities.
A presentation discussing the non-translatable in relation to choreographic practice.
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
Theatre in the age of smartphones.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
The unbearable heaviness of mobility.
Means of shaping experiences of transit and making passage.
Interrogates the labour and mobility of an invisible female body through a durational performance.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
A summary of a recent research project exploring disability, sustainability and resilience.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
an alternative register, a record of language, an account of names.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
The rise of interplanetary performance.
Rehearsing Catastrophe: on play and possibility.
A silent, creative practice research situation
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
A performance score/workshop about moving along paths different to our habitual ones.
Performance design within a globalised condition of proliferating borders.
Screening of Performance Art in the Natural Environment
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
The notion of legibility is explored in relation to the city and its publics.
Performance for an audience of 10 forging a path between identities, places and states of awareness
The intersections of performance, disaster, and resilience.
Performances of cargo and the material unconscious of global economy.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
A paper on affective labour in contemporary art practice and global presentation.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
A performance paper on motion and stillness, time and travel – on a train.
Mobile public gestures escape categorisation and challenge ideas.
The performative power of image-making and image-viewing
An experimental dance project exploring ‘trans-nationalism’
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
An exploration of 'unsteady' cultural belonging.
A panel discussion about art, disability, and the role of aesthetic experimentation.
A wander up Edgars Creek in Coburg North with Karina Quinn.
The elision between place and a person.
Performance installation for two people to explore balance through a movement to sound jam.
A slow observational walk down Swanston Street, visually translating public sculptures.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
Context and reflections on bit-u-men-at-work.
A Performative Lecture on Migrant Mobilities.
The significance of staging Shakespeare in the Pacific
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
A reflection on the experiences of performance scholars working internationally.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
A landscape protagonist, a (mostly) self-guided tour, a collection.