A slow observational walk down Swanston Street, visually translating public sculptures.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
A panel discussion about art, disability, and the role of aesthetic experimentation.
Performance design within a globalised condition of proliferating borders.
A silent, creative practice research situation
A performance paper on motion and stillness, time and travel – on a train.
The significance of staging Shakespeare in the Pacific
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
Performance installation for two people to explore balance through a movement to sound jam.
A presentation discussing the non-translatable in relation to choreographic practice.
A summary of a recent research project exploring disability, sustainability and resilience.
An exploration of 'unsteady' cultural belonging.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
The unbearable heaviness of mobility.
The performative power of image-making and image-viewing
A Performative Lecture on Migrant Mobilities.
An artists’ roundtable exploring the role of travel in the practice of making performance.
Means of shaping experiences of transit and making passage.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
This paper will highlight the possibilities of working with moving screens and mobile audiences.
The rise of interplanetary performance.
Screening of Performance Art in the Natural Environment
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
Mobile public gestures escape categorisation and challenge ideas.
A paper on affective labour in contemporary art practice and global presentation.
an alternative register, a record of language, an account of names.
A performance score/workshop about moving along paths different to our habitual ones.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
Performance for an audience of 10 forging a path between identities, places and states of awareness
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
A reflection on the experiences of performance scholars working internationally.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
Performances of cargo and the material unconscious of global economy.
Rehearsing Catastrophe: on play and possibility.
Questioning where we walk and whose footsteps we follow...
Context and reflections on bit-u-men-at-work.
Interrogates the labour and mobility of an invisible female body through a durational performance.
Theatre in the age of smartphones.
The notion of legibility is explored in relation to the city and its publics.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
The intersections of performance, disaster, and resilience.
An experimental dance project exploring ‘trans-nationalism’
The elision between place and a person.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
A landscape protagonist, a (mostly) self-guided tour, a collection.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
A wander up Edgars Creek in Coburg North with Karina Quinn.
A paper discussing performances that highlight socially produced immobilities.