A paper on affective labour in contemporary art practice and global presentation.
A performance paper on motion and stillness, time and travel – on a train.
Performance design within a globalised condition of proliferating borders.
an alternative register, a record of language, an account of names.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
The unbearable heaviness of mobility.
A presentation discussing the non-translatable in relation to choreographic practice.
An exploration of 'unsteady' cultural belonging.
A summary of a recent research project exploring disability, sustainability and resilience.
The notion of legibility is explored in relation to the city and its publics.
A panel discussion about art, disability, and the role of aesthetic experimentation.
A performance score/workshop about moving along paths different to our habitual ones.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
The intersections of performance, disaster, and resilience.
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
An experimental dance project exploring ‘trans-nationalism’
A silent, creative practice research situation
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
The performative power of image-making and image-viewing
A Performative Lecture on Migrant Mobilities.
A landscape protagonist, a (mostly) self-guided tour, a collection.
Interrogates the labour and mobility of an invisible female body through a durational performance.
A slow observational walk down Swanston Street, visually translating public sculptures.
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
Rehearsing Catastrophe: on play and possibility.
The elision between place and a person.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
Questioning where we walk and whose footsteps we follow...
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
Performances of cargo and the material unconscious of global economy.
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
The significance of staging Shakespeare in the Pacific
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.
Theatre in the age of smartphones.
An artists’ roundtable exploring the role of travel in the practice of making performance.
A paper discussing performances that highlight socially produced immobilities.
The rise of interplanetary performance.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
Performance installation for two people to explore balance through a movement to sound jam.
Performances uttering distances between body, astronomic, geologic and atmospheric events.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
Context and reflections on bit-u-men-at-work.
Screening of Performance Art in the Natural Environment
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
Performance for an audience of 10 forging a path between identities, places and states of awareness
A reflection on the experiences of performance scholars working internationally.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
A wander up Edgars Creek in Coburg North with Karina Quinn.
Means of shaping experiences of transit and making passage.
Mobile public gestures escape categorisation and challenge ideas.
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.