Community, diversity and mobility in Rimini Protokoll's '100% Melbourne' and rawcus' 'Catalogue'.
The rise of interplanetary performance.
The unbearable heaviness of mobility.
Text as a mobile and transmutable entity in a fluid relationship between performers and audience.
Performances of cargo and the material unconscious of global economy.
An experimental dance project exploring ‘trans-nationalism’
An overview of the Tour of All Tours, its principles, delivery and reception in Europe and Asia.
A reflection on the experiences of performance scholars working internationally.
A paper on affective labour in contemporary art practice and global presentation.
Questioning where we walk and whose footsteps we follow...
A performance score/workshop about moving along paths different to our habitual ones.
An installation responding to Kim Donaldson’s 'From the Lecture - A Reminder of Life' (1996)
Performances uttering distances between body, astronomic, geologic and atmospheric events.
This paper focuses on the body as the ‘invisible heart’ of Minimalism.
Performance for an audience of 10 forging a path between identities, places and states of awareness
Mapping responses to local Indigenous stories, spatial narratives, & sites of cultural significance.
Performance design within a globalised condition of proliferating borders.
An exploration of 'unsteady' cultural belonging.
A summary of a recent research project exploring disability, sustainability and resilience.
The performative power of image-making and image-viewing
A dialogue with Iranian asylum seekers and refugee artists on their making a film in Melbourne.
Listening is considered as activism where radio amplifies the sounds of ephemeral social networks.
Gardening with Intermediate Bulk Containers and geo-locative, online networks
A panel discussion about art, disability, and the role of aesthetic experimentation.
The intersections of performance, disaster, and resilience.
A sculptural overlay punctuating motion pathways built into the interiors of cultural institutions.
A landscape protagonist, a (mostly) self-guided tour, a collection.
A slow observational walk down Swanston Street, visually translating public sculptures.
A paper exploring the Playback Theatre of 'Freedom Bus' traversing the West Bank and East Jerusalem.
A presentation discussing the non-translatable in relation to choreographic practice.
An artists’ roundtable exploring the role of travel in the practice of making performance.
A collaborative performance following the mobility of carbon from coal and forest to fire and power.
Screening of Performance Art in the Natural Environment
An examination of stasis and movement in Version 1.0's performance of 'The Disappearances Project'.
A social event involving shared ceramics and refreshments reflecting upon the 10-minute workplace tea break
A silent, creative practice research situation
The significance of staging Shakespeare in the Pacific
This paper looks at recent projection works of Kris Verdonck in terms of his framing of immobility.
A wander up Edgars Creek in Coburg North with Karina Quinn.
A responsive, time-based, narrative experience that moves across media, bodies and technologies.
Context and reflections on bit-u-men-at-work.
Interrogates the labour and mobility of an invisible female body through a durational performance.
The notion of legibility is explored in relation to the city and its publics.
Performance installation for two people to explore balance through a movement to sound jam.
Means of shaping experiences of transit and making passage.
A paper discussing blind people guiding a sighted audience to explore visual art experiences.
The elision between place and a person.
Rehearsing Catastrophe: on play and possibility.
Theatre in the age of smartphones.
Mobile public gestures escape categorisation and challenge ideas.
A Performative Lecture on Migrant Mobilities.
A performance paper on motion and stillness, time and travel – on a train.
Multimedia presentation of a 400-day research-performance on bicycles, documenting free food.
A paper discussing performances that highlight socially produced immobilities.
an alternative register, a record of language, an account of names.
Paper with dance/film extracts exploring mobility as a dynamic continuum of densities.
This paper will highlight the possibilities of working with moving screens and mobile audiences.
O-T-D is an encounter between asylum-seeker artists and people in the societies they reach.